Academic Sessions: Belfast 2007

 

  1. History and Class Consciousness and Art History
  2. Globalisation and Art since 1945: Disciplinary Renewal or Transformation?
  3. Irish Studies and History of Art: Impossible Dialogues? 
  4. Museums and the Construction of Art Histories 
  5. ‘1968’: Activitist Art and its Legacies 
  6. Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art 
  7. Common Identities? From Post-Identity Discourse to Concepts of Community and Participation in Contemporary Art 
  8. Toward a New Age of Asian Art 
  9. Painting Workshops of the (17th century) World: Grounds for Contestation 
  10. Contesting Forms, Testing Functions: Dynamic Encounters between Sculpture, Decoration and Design 
  11. The Visual Politics of Psychoanalysis in a Post-Traumatic World
  12. Questioning Authority: Commercialism and the Academic Ideal in 18th-Century European Art 
  13. ‘We Capture the Walls’: The Politics of 20th-Century Muralism 
  14. Makers and Making Between Trauma and Cultural Memory 
  15. Contested Histories in German Visual Culture 1871-1990 
  16. Immaterial Culture? Things, Artefacts and Meanings 
  17. Contesting Childhood 
  18. Taking to the Streets: Art and the Architecture of Security Control 
  19. Representing the Monster City: Art History and Pathologies of Urban Development 1800-2007 
  20. Contested Evidence – Student Session 
  21. Contesting the Body: Art, Sexualities and Biogenetics 
  22. Beyond Recognition: The Outer Limits of Artistic Creation and Critical Reception after September 11th, 2001

back to top


Please note: You will need the most recent version of Adobe's Acrobat Reader on your computer to be able to read downloadable files on this site. It can be downloaded free from the Adobe website.