Academic Sessions 2009
Intersections
Manchester Metropolitan University, MIRIAD
2 - 4 April 2009
- Aesthetics and Art History: Converging Perspectives
- Art History and Art Criticism: Intersections, Disconnections, Non-Communications
- Art History and its Global Provinces
- Art, Nature and Technology
- Beyond the Visual
- Crossings: Art, Medicine, Visual Culture
- Drawing in the Expanded Field
- ‘Imaging and Imagining the Modern’: Cosmopolitan Identities and Cultures of Consumption in Inter-war Europe and North America
- Inconsistency
- Intersectional Queer Visualities
- Intimacy and Disparity: The Constructive Interference of Image in Relation with Text
- Irishness and Intertextuality: Re-Reading the Visual in Irish Culture
- Modernism and Antropofagia: Visual Culture and Authenticity in Latin America
- Networked Cultures: Politics of Connectivity
- Poster Session
- Public Disorder: Post-World War II European Art and Its Publics
- Renaissance Intersections 1400–1600
- Student Session: And You Call Yourself an Art Historian? Navigating the Terrain of ‘Cross/Trans/Inter-research’
- Segues: Corporeal Theory, Site-Writing, e-Materiality
- Skin
- Surrealism & Non-Normative Sexualities
- The Artwriter Revisited
- ‘The Elephant in the Room’: The Art Market in Art History 1815–1945
- The Grand Tour at a Crossroads?
- Tools of Trades: Articulating Sculptural Practice
- What’s the ‘Social’ in the Social History of Art?
To submit a paper for any of the above sessions please click and download a copy of the AAH09 Paper Propsal Form (word) or AAH09 Paper Proposal Form (pdf)