1. Aesthetics and Art History: Converging Perspectives
   
2. Art History and Art Criticism: Intersections, Disconnections, Non-Communications
   
3. Art History and its Global Provinces
   
4. Art, Nature and Technology
   
5. Beyond the Visual
   
6. Crossings: Art, Medicine, Visual Culture
   
7. Drawing in the Expanded Field
   
8. ‘Imaging and Imagining the Modern’: Cosmopolitan Identities and Cultures of Consumption in Inter-war Europe and North America
   
9. Inconsistency
   
10. Intersectional Queer Visualities
    
11. Intimacy and Disparity: The Constructive Interference of Image in Relation with Text
    
12. Irishness and Intertextuality: Re-Reading the Visual in Irish Culture
    
13. Modernism and Antropofagia: Visual Culture and Authenticity in Latin America
    
14. Networked Cultures: Politics of Connectivity
    
15. Poster Session
    
16. Public Disorder: Post-World War II European Art and Its Publics
    
17. Renaissance Intersections 1400–1600
    
18. Student Session: And You Call Yourself an Art Historian? Navigating the Terrain of ‘Cross/Trans/Inter-research’
    
19. Segues: Corporeal Theory, Site-Writing, e-Materiality
    
20. Skin
    
21. Surrealism & Non-Normative Sexualities
    
22. The Artwriter Revisited
    
23. ‘The Elephant in the Room’: The Art Market in Art History 1815–1945
    
24. The Grand Tour at a Crossroads?
    
25. Tools of Trades: Articulating Sculptural Practice
    
26. What’s the ‘Social’ in the Social History of Art?

To submit a paper for any of the above sessions please click and download a copy of the AAH09 Paper Propsal Form (word) or AAH09 Paper Proposal Form (pdf)